Wednesday, November 25, 2009
Monday, November 23, 2009
Jayne County wrote a song about it. Johnny Thunders and The Heartbreakers released an album called Live at Max's Kansas City and so did the Velvet Underground.
Max's Kansas City was a nightclub (upstairs) and restaurant (downstairs) at 213 Park Avenue South, between 17th and 18th and was a gathering spot for musicians, poets, artists and politicians in the 1960s and 1970s.
Opened by Mickey Ruskin (1933-1983) in December 1965, it was a hangout for artists and sculptors like John Chamberlain, Robert Rauschenberg and Larry Rivers, whose presence attracted hip celebrities and the jet set, and was also a favorite hot spot of Andy Warhol and his Factory devotees. The Velvet Underground played their last shows with Lou Reed at Max's in the summer of 1970. It was home for a short time to the Glitter rock scene that included David Bowie, Iggy Pop and, of course, Lou Reed. Bob Marley & The Wailers opened for Springsteen at Max's in 1973 at the beginning of Marley's career on the international circuit.
The club reopened in 1975 under new ownership of Tommy Dean Mills who started with a formula of serving up disco. Peter Crowley, who had been booking bands at Mothers was hired to start booking bands there in a venue that was an alternative to CBGBs.
Max's Kansas City became one of the birthplaces of punk, featuring bands like Cherry Vanilla, The New York Dolls, Johnny Thunders and the Heartbreakers, Blondie, The Ramones, The Cramps, Mink DeVille, Steel Tips, The Misfits, The Dictators (who were rumored to have been banned from playing there, which turned out to be total bullshit), Wayne County, The Senders, The Rousers, The Fleshtones, Klaus Nomi and Patti Smith. After the breakup of the Sex Pistols, Sid Vicious played many of his solo gigs there. Also Devo played several shows at Max's in 1977, including a show where they were introduced by David Bowie as "the band of the future."
Max's closed its doors in November 1981. The building survives and now houses a deli (see pictures below). The best part is the old chandelier. Like a tattered prom dress that you wish could tell its story, it remains hanging from the ceiling, a constant reminder of days gone by...
Two words, Club 82. This completely unmarked club - no sign, no street number even, is one of the last venerable mainstays of NYC gay and club culture. The New York Dolls began playing shows there on April 17, 1974, long after Errol Flynn was a famous regular who regularly whipped out his now infamous cock and played the piano with it. I went to the club once in the mid-90s. It was a bit of a tattered prom dress of a club, but not in a good way. Gone was the glam and in its place a series of glory holes. I had to convince the bouncer I was a lesbian before he'd let me in the door. I was a suspicious "breeder" in his estimation. Or maybe he thought I was some tranny cruiser. I've no idea.
Steve Shevlin, formerly of The Senders has promised a story about Club 82 and its heyday. So more updates to come. In the meantime check out these photos of the club.